• A NEW COLLABORATION WITH EDWARD BULMER NATURAL PAINT

     

    To coincide with the Christmas Exhibition 2024, we are thrilled to present a collaboration with Edward Bulmer Natural Paint, for which two paintings by Jeremy Annear and Georgia Beaumont will be shown together with paints specially chosen by Edward Bulmer. 

     

    Now on view as part of The Christmas Exhibition: Saturday 23rd November - Saturday 7th December 2024, Tuesday-Saturday, 10am-4pm; and by appointment thereafter. 
     

    The gallery started over twenty-five years ago, showing artists' work in and around our living room and kitchen; a convenient parallel to clients' homes. From the beginning setting the work within the surroundings has been paramount, with light and beautiful wall colour essential to allow paintings and sculpture to sing, as well as to create atmosphere. We now have a dedicated gallery space yet always aim to sustain the sense of warmth and character of a home. 

     

    A wall colour can bring a painting to life, enhancing its palette and elevating it within a room; or do the very opposite, draining it of its best elements. Over the years, both at the gallery and during home visits, clients have often asked for advice on colour and about the shades we use on our walls – Edward Bulmer’s naturally pigmented paints! With this in mind, we are excited to share some insight into choosing colour to complement the work in your home.  

     

    We spoke to Edward Bulmer about his approach to paint and its pairing with art ahead of the collaboration. Read on below…

  • In conversation with Edward Bulmer Eastwood Fine Art: We use Edward Bulmer Natural Paint at the gallery and are thrilled...

    Edward Bulmer, London Showroom.

    Photography by Anna Batchelor

    In conversation with Edward Bulmer

     

    Eastwood Fine Art: We use Edward Bulmer Natural Paint at the gallery and are thrilled to be collaborating as part of our upcoming exhibition! We wanted to start by asking how your journey into colour and paint began, and the ethos behind using natural paint.

     

    Edward Bulmer: My early career was as assistant to Alec Cobbe, a picture restorer. I would prepare his palette by grinding pigment into varnish for him to retouch missing areas of old paintwork. This gave me an insight into the development and use of pigments by artists over the centuries. Often, we would return restored paintings to their houses or galleries and would get asked advice about hanging the pictures and this led to our building a design studio that specialised in picture hanging and the display of works of art with associated redecoration – usually historically informed.

     

    It was not until I set up my own practice that I saw that natural and traditional materials were usually the only ones fit for purpose because they protected the building, ensured good internal air quality and were far less environmentally polluting.

  • I can barely think of a project where picture hanging did not play a crucial role – in most, it comes before all else!

     

    EFA: Have there been specific projects over the years, or even artists and exhibitions, that have provided new or unexpected sources of inspiration?

     

    EB: Though we are known for our responsible approach it was back in 2002 when I was first asked to use healthy and environmentally friendly materials on a project at Goodwood. I have never stopped doing so but before we set up our own company Edward Bulmer Natural Paint we road-tested every natural paint out there and learnt what the market preferred. That is why not only do we use natural ingredients, but we actually make paint that beats every other hands down in terms of useability, performance and pollution avoidance. Of course, I am partial, but I also have 40 years’ experience in the field!

     

    EFA: Edward Bulmer does much to support the arts, what role does art play in realising your projects?

     

    EB: I can barely think of a project where picture hanging did not play a crucial role – in most, it comes before all else! Why we are so content to use a dozen time-honoured pigments (not colourants!) to mix our colours is that they are what artists have used for centuries. We take the same approach to combining them too, driven by tonality first and foremost but also economy if we (and those centuries of artists) are honest.

     

    EFA: Could you tell us about the art you have at home? Are there particular artists or media that you are drawn to? 

     

    EB: At home it’s a great old mixture and date range – the oldest would be a Tang Dynasty horse and the most recent, a wonderful Mary Norden. We have many pieces by friends and a good number painted by ourselves. If we had room in the house I would have more sculpture, but we have created a garden with lots of vistas and natural surfaces that could house a great many!

     

    EFA: Finally, for this collaboration we have paired paintings by Jeremy Annear and Georgia Beaumont with Edward Bulmer Natural Paint, tell us about the colours you've chosen to pair with these works.

  • Jeremy Annear Metropolis oil on canvas 100 x 70cm paired with MUMMY EB: This work handles form and tonality with...
    Jeremy Annear, Metropolis, 2024. © The Artist. / Background: Mummy

    Jeremy Annear 

    Metropolis

    oil on canvas

    100 x 70cm

     

    paired with MUMMY

     

    EB: This work handles form and tonality with great subtlety – it needs to speak for itself and requires a neutral background to do this.

     

    I have chosen Mummy because it is ‘pigment neutral’ but it is not without opinion. It has enough weight to speak to the architecture of the piece and the combination of pigments have a little bit to say to each of the pigments that artist has selected.

  • Georgia Beaumont Pulled by Moons of her Own oil on plywood 120 x 100cm paired with BUFF EB: There is...
    Georgia Beaumont, Pulled by Moons of her Own, 2024. © The Artist / Background: Buff

    Georgia Beaumont

    Pulled by Moons of her Own

    oil on plywood

    120 x 100cm

     

    paired with BUFF

     

    EB: There is a gracefulness to this work in its combination of natural forms; the interaction of each, somehow respectful and embracing at the same time.

     

    That seemed to be the job of the background colour too, Buff, a gentle neutral colour with hints of the pigments that come to the fore in the work’s dance of pods, leaves and flowerheads.

  • THE ARTISTS

  • THE CHRISTMAS EXHIBITION
    23rd NOVEMBER - 7th DECEMBER 2024

    VIEW HERE
  • VISIT THE GALLERY

     
    The collaboration is now on view as part of The Christmas Exhibition
    Saturday 23rd November - Saturday 7th December 2024, and by appointment thereafter
     
    If you would like to arrange an appointment please call: 01264 810 817 – or – email: josie@josieeastwood.com.